This year the Martial Arts demonstrations were chaired by Mark Lipsinic Sensei, who also heads the Yurusu Aikido of Houston Dojo (Nishio-ryu Aikido & Aiki Toho Iaido). He did a great job coordinating with everyone and making sure we had good facilities. Everything went very smoothly.
As was the case last year, the stage was shaded with a high canopy. This is a huge help to the demonstrators who can focus on what they’re doing instead of avoiding the blistering hot sections of the stage. The stage itself was also a bit bigger. This made backing away during paired waza a little easier. One year, in a different group, some folks backing away almost stepped off the edge of the stage. We learned from watching that to be very mindful of the space and to feel for the edge with our feet. The only down side was the surface of the stage was rather dirty and splintery, but that was covered by mats the whole time. The mat created their own problem though, as my feet adjusted to the soft surface in the middle of the demo, but at least I didn’t have to worry about damaging a formal hakama.
The thank-you from the festival this year took the shape of free bottles of water (always welcome!), some food/drink tickets, and an attractive J Fest bandana. Thank you Japan Festival and Lipsinic Sensei!
We were lucky with the weather this year. Both days were warm and mostly dry. Unlike most other Japan festivals that I have been to over the years, the Houston event is an entirely outdoor event held in Hermann Park near the Museum District. Only the tea ceremony demonstrations are held indoors inside the small tea house in the Japanese Garden.
I think the Japan Festival demo team was at its smallest this year with just Ali, Nemo, and myself. The two new students neither had the clothes nor knew enough to be able to participate. Thank you, Ali and Nemo, for your support on both days. And a big thank you to Houston for video taping our demonstration on Saturday.
There were a LOT of anime otaku, especially cosplayers, at the festival this year. In fact talking with Yōko-sensei at class later that week, she and her friend noted that there seemed to be fewer and fewer ethnic Japanese coming to the festival. I think some people assumed I was cosplaying too judging from the comments thrown my way (ronin?), and the several queries by cosplayers wanting to know where I got my outfit. They were disappointed when I said Osaka (both the wool hakama and the white montsuki were from the Meirin Sangyo main store in Osaka). The hat I had on was a lucky find at a Kansas City Japan Festival years ago. Unfortunately the hat is getting too old and frail to wear it much anymore.
On Saturday I dressed out and got to the site early. There were already people wandering about, so I was not surprised to read later that a new attendance record was reached. After using the only flush toilet on the site inside the Japanese Garden for the first and only time that weekend (constant long line ever after) I decided to stroll about the garden, which I hadn’t done in years. Our demo was not until 1:30, directly after another Iai group, so I had some time. While wandering I happened by the tea house where a few people were lined up for the first tea ceremony of the day. On a whim I decided to get in line. Inside I found myself seated in the middle of the second row, a fair spot for taking photos. Mochizuki-Sensei, the head of the Urasenke School of Tea in Houston, was doing the honors, assisted by her students. Watching her, was great. The centered calm, the un-rushed efficient motions made this one of the most impressive things I saw that weekend. One can understand why the samurai took to tea.
After that I circled through the vendor area, visiting with merchants I knew, before heading to the car to eat lunch. Bringing my own lunch and drink this year turned out to be a good idea which saved me from standing in line and saved a little money. Then it was time to get ready.
Regarding vendors, some of my perennial favorites include the Chiba Sister City booth (this year selling Chiba lapel pins, lotus T-shirts and bags), and my favorite Kyoto vendor, KyooHoo, from who I got an attractive furoshiki and few more tabi socks in large sizes. I was too late to the Japanese flea market booth,– by Sunday they were well picked over.
Every year as this demonstration nears it makes me think about Iaido, especially the intangibles, in order to figure out what to say to get across to people the larger picture of what it is we do and why we do it during the five-minute or so introduction I do at the beginning of our demo. This year I thought about Iaido’s place in the culture that created it, and some of the differences between MJER and other Iai and ken systems. Also thinking of how both the originating culture and the setting in which the Iai is intended to be used could greatly influence the entire system. In particular I had been contemplating the differences between our MJER and a more recent system that was developed for a very different setting than Edo-era Japan. So this year my what-is-Iaido talk with the audience included the usual explanation of Iaido as Samurai training to always be prepared both mentally and physically, and this time to high light that I pointed out that we did our waza in civilian attire of the time with our sleeves and hakama unbound and untucked, and not wearing armor. I don’t know if what I said helped them to understand, but thinking about it I think has helped my personal understanding a little.
Also I had with me a short prepared Japanese script that my Nihongo Sensei wrote for me years ago just for this demo. After we were introduced I proceeded to follow this until I noticed that my Nihongo teacher was not in the crowd as she usually was on Saturday. At this point I got impatient to get to the what-is-iaido section of the talk that I had thought so much about and abandoned the script 3/4 of the way in. Later it turned out she was there, but had to step away to answer a phone call. I resolved to do better tomorrow.
After the opening reishiki, since there were only three of us we did embu all at the same time, but finished at different times due to the number and type of waza each person did. When all had completed, Nemo sat at the back while Ali and I retrieved our bokutō and proceeded to do Tachi Uchi No Kurai including the formal opening and closing reishiki. As usual the Saturday demo had a few hiccups which were smoothed out the next day. Then we all did closing reishiki. There was some extra time and I attempted to elicit some questions from the audience, but no one had any so we exited to allow the next group on.
Every year there are interesting comments from folks who come up after the demo. This year there was a nice gentleman from Austin, a Sekiguchi MJER person, who thanked us for the ‘seminar’! In the past sometimes students of the language have questions about my choice of words. And then there was the person last year whose ‘helpful suggestion’ testified that they didn’t understand what we were doing or why.
A new thing happened this year. A Ph D. Student of the Department of Anthropology at Texas A&M asked for an interview. As I recall he was interviewing folks who did koryu for a research project related to his graduate studies. We settled down at one of the vacant tables by the path and proceeded. He asked a lot of interesting questions that really got me going, stirring up as it did a lot of mental sediment that had been dormant for years. I talked for what seemed like hours, and could have gone on for longer. He confided afterwards that he was planning to go back to Japan after school to resume his own koryu path, begun during his time in Japan teaching English. I wish him all the best.
On Sunday I arrived early and went on another stroll in the garden. Then there was a little time to shop before heading back to the MA stage to catch the Shin Shin Ryu demo. From the front row I filmed about four minutes, took some photos then just sat and watched. After their demo I was chatting with them when they invited me to a group photo shoot in the garden. One of their own was there that day, but not dressed out so he did the photo of us all, then I volunteered to do one of all of them including camera man. By then it was time to head back to get ready for our own demo.
After the introduction, I started in on the prepared speech and made the mistake of scrutinizing the audience. The reader may recall the comment from above about the dwindling attendance by ethnic Japanese to the festival. This was also very noticeable at the MA stage. So I looked out, didn’t see my Nihongo Sensei (who is normally not there on Sunday), saw only round eyes, asked myself what the point was to doing this English/Japanese speech, and decided on the spot to skip it. I found out later that Yōko-Sensei was there that day too! I felt very bad.
After the demo I sat at the table by the path, provided by the MA chairman for demonstrators to provide a static display, have cards/pamphlets to hand out, and answer any questions by festival passersby. I had brought my nicer silk brocade sword bags to lay out on the table as an eye-catching display. Some thought they were obi. I was able to watch a little bit of the demonstrations as I handed out schedules, and answered questions from passersby.
When the weather threatened to rain, I changed clothes, made one more circuit to spend the remaining food tickets, then headed to the car and home.
PHOTO CREDITS
Thanks to the following we had lots of photos and a video of our demonstration this year.
Yōko Tonu, Nihongo Sensei
MineralBlu, photographer friend of Ali
Houston Porterfield of Clear Lake Iaido
Travis Boardman of Shin Shin Ryu
For a small sample of the photos please look in the photo galleries elsewhere on this site for the 2014 Houston Japan Festival album.
Also, later I plan to add a link to the video once I get it hosted somewhere.
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